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La galerie était une véritable boîte à double fond
qui a toujours été capable de reconsidérer ses œuvres à la lumière des phénomènes contemporains
en mobilisant un changement de perspective
ce sont les limites même de sa pratique – la photographie documentaire– qu'Adrien Selbert défie ici
Rudolf Maeglin : Painter Paul Derouet La galerie était une véritableThe Basler artist Rudolf Maeglin (18921971) opted to be a painter, thus acting against the upper middle class tradition in his family. In 1933 he was one of the founder members of the anti fascist Gruppe 33. He has lived in the workers quarter of Basel, Klybeck, since 1947, has worked in factories and on building sites, painting what he experienced during the day and night. Through his paintings of building sites he advanced to become a documentarist
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