Decreation Bernadette Mayer both halves of Repetition Nineteen

both halves of Repetition Nineteen celebrate translation’s possibilities and political relevancy

” A series of 50 “galactic cantos”—in homage to both Dante and Pound—de Campos likewise follows James Joyce’s cue in conceiving of galáxias as a “defense and illustration” of the Portuguese language and its poetic possibilities

is intrigerende en indringende poëzie

Here in Margaret Jull Costa and Patricio Ferrari’s translations are the complete poems of Campos

Decreation Bernadette Mayer both halves of Repetition NineteenAnne Carson Anne Carson's Decreation starts with form the undoing of form. Form is various here: opera libretto, screenplay, poem, oratorio, essay, list, montage. The undoing is tender, but tenderness can change everything, or so the author appears to believe.